Cirkusrevyen (Circus Review) is hugely popular and the longest-running review performance in Denmark, with a 6-month season kicking off every year since 1935 except for 1945 (due to fire) and 2020 (due to you know what!). Staged in a purpose-built big top tent in Klampenborg, Dyrehavsbakken north of Copenhagen, known and loved for its incisive and hilarious style of political satire … the 2021 season was lit for the first time using Robe ESPRITE moving lights.

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Theatre

Television

Investment

21.4.2026

Gearhouse Splitbeam Invests in Robe iFORTES

For this version, the lighting director and programmer was David Totaro, and when Splitbeam’s CEO Alistair Kilbee suggested utilising iFORTES to provide powerful front and back lighting, he and Howard agreed and were happy to work with these fixtures.

Events

17.4.2026

Robe Gets Fired Up for BravoCon Live Event

BravoCon Live with Andy Cohen is a supersized, five-episode televised event in the spirit of Andy’s nightly talk show WWHL (Watch What Happens Live). The show is a joyous, upbeat celebration of the world of Bravo’s most popular reality shows and series, featuring the stars and celebrities (Bravolebrities) who make them rock.

Investment

10.4.2026

De Leest Rolls with Large Robe Investment

Theater De Leest in Waalwijk, the Netherlands, is a contemporary cultural centrepiece of the city and its surrounding region, which opened in 1996. A major refurbishment 10 years ago saw the addition of the ‘new’ 200 capacity black box theatre hall complete with a retractable seating system, making it a flexible space, which, together with the existing 520-seater main auditorium, offers a vibrant programme of musicals, concerts, cabaret, family shows, opera, dance, youth theatre, and film screenings.

Investment

2.4.2026

Endla Theatre Re-Energises with Robe

Endla Theatre in Pärnu, Estonia, has reinvested in Robe LED products across its two performance halls as part of a wider conversion to LED lighting, related to the Estonian “Green Turn” initiative. This has seen 16 of the country’s major theatres – a mix of local government and private performing arts institutions – convert lighting stock from tungsten-halogen to LED over the last 12 months.