Lighting designer Christina Thanasoula brought her unique visual style to a recent Greek National Opera production of “Juditha Triumphans” with the help of some Robe LEDBeam 150s. The performance was directed by Thanos Papakonstantinou with music delivered by the Armonia Atenea Orchestra, musical ensemble Il Pomo d’Oro, the GNO Chorus and members of the GNO Children's Choir and conducted by Markellos Chryssicos and recorded for broadcast on the Mezzo TV channel.
The first Robe T2 Profiles to arrive in Australia were snapped up by Perth-based lighting and visual rental and production company What Noiz and made their debut on the lighting rig designed by Matt Marshall for West Australian Ballet’s compelling “As One: Ballet at the Quarry”.
The Staatsschauspiel Dresden in Germany joins a long and growing number of high-profile performing arts venues that are investing in Robe’s T1 series of moving lights, a refined product line tailored to meet the exacting demands of this sector.
Robe luminaires were selected for another premium cultural project, this one at the Said-Galiev Cultural Centre in Derbyshki in Kazan, the capital of the Russian semi-autonomous region of Tatarstan, an area renowned as a lively melting pot of Russian and Tatar heritage.
Danish rental operation Live Company made a massive investment in Robe ESPRITE and LEDWash 300X moving lights, together with a RoboSpot remote follow spot system, in March 2020 just before the pandemic hit effectively closing the live concert and event industry worldwide.
The Deutsches Theater in Berlin is one of Germany’s foremost producing houses, highly acclaimed for its cutting-edge work. In the last year, the venue has added 20 x Robe T1 Profiles which are available across its stages, a move specified and overseen by head of lighting Robert Grauel and his team including Linus Zahn who is the lighting systems tech and person in charge of new technologies.
Australian lighting designer Trudy Dalgleish appreciated the quietness and other features of Robe T1 Profiles and T1 Fresnels that are part of the new house rig at Her Majesty’s Theatre in Adelaide, which reopened in June 2020 after a major 2-year redevelopment.
The exterior of the Southampton Mayflower Theatre brings an extra dazzle of warmth and vitality to a usually busy city centre (at time of writing we are in the UK’s second Covid lockdown) illuminated with an Anolis – a Robe business – lighting scheme which was installed by Lighting Technology Projects (LTP).
Robe’s news team visited Queensland Theatre back in February … just before the pandemic turned 2020 upside down! This is the story of the theatre’s experience with their Robe LEDWash300+s.
An exciting new collaboration between Robe and the acclaimed The Lir National Academy of Dramatic Art at Trinity College Dublin sees a quantity of Robe moving lights – including T1 Profiles and T1 Fresnels, LEDWash 300 LEDs and ParFect 150s – made available on long term rental, which were used to great effect for The Lir Academy’s 2020 Gradfest event.
Swedish lighting designer Fredrik Jonsson – like all on the crew and cast of “Funny Girl” at the Malmo Opera – was ecstatic to be back working on a live show, as the Opera’s fantastic production of blockbusting musical “Funny Girl” went ahead and is playing to socially distanced audiences of 50 per show!
Vejle Musikteater, in the attractive fjord-side town of Vejle in Denmark, is – usually – a bustling hub for live entertainment, events and all types of performance, as one of the busiest multipurpose venues in the country offering a dynamic mix of band concerts, dance and DJ events, theatre production and conferences, events and presentations.
The brand-new Theater Zuidplein in Rotterdam, the Netherlands, has over 200 Robe LED fixtures – including T1 Profiles, Spiiders, LEDBeam 150s and ParFect 150s – installed as part of an all-LED lighting rig. It is among the first cultural centres worldwide to have no dimmers!
The National Theatre of Greece (NTG) staged three acclaimed performances of Aeschylus’s The Persians – first produced in 472 BCE – in July at the ancient Epidaurus open-air amphitheatre, complete with a fully socially distanced audience – of 4,500 instead of the usual 10,000 capacity, who enjoyed the drama and energy of live performance in this classic tragedy.
It’s approaching a year since Spanish lighting designer Juanjo Llorens first enthusiastically compiled his design for Circo de Hielo 2, the latest winter show from Madrid-based Productores de Sonrisas (Smile Producers), creators of large scale multidisciplined extravaganzas like Circo de Los Horrores and many others.
David Kachlir has delivered a lively and vibrant lighting design for the current production of Mamma Mia, which is playing on the 680-seat Musical Stage at Městské Divadlo (City Theatre) in Brno, Czech Republic, an eye-catching production that is already proving hugely popular and has won great critical acclaim.
Elliot Griggs chose Robe’s T1 Profiles to provide major key lighting for Amélie the Musical, a new production first staged at the Watermill Theatre, Newbury, UK, which then undertook a nationwide UK and Irish tour and is now playing at The Other Palace in London until the start of February.
Teatro Colsubsidio Roberto Arias Perez is a 1,000-seater venue opened in 1981 in central Bogota, Colombia’s vibrant capital city, that has established itself at the center of quality live entertainment, culture and performing arts. It’s renowned for high production values and imaginative shows offering a lively mix of concerts, musicals and classical performances.
The National Theatre of Scotland’s acclaimed production of The Panopticon at The Traverse Theatre in Edinburgh, directed by Debbie Hannan and lit by Simon Wilkinson, was the first stage production of Jenni Fagan’s visceral and brutal narrative of life and friendship.
Robe continues to make an impression on the theatre scene in Israel with the specification and installation of DL7S Profiles and LEDWash 1200 moving lights – 54 in total – in the Bet Lessin Theatre, Tel Aviv, the city and Israel’s third-largest theatre venue, just reopened after complete refurbishment, a project ongoing over the last three years.
The highly acclaimed Leeds Playhouse production of The Lion, The Witch and the Wardrobe is enjoying a successful London run at The Bridge Theatre, produced by The London Theatre Company via special arrangement with Elliot & Harper Productions and Catherine Schreiber.
Mateusz Karon, deputy of technical manager the Teatr Dramatyczny m. st. Warszawy (Dramatic Theater of the capital city of Warsaw), is very happy with the new Robe Tarrantulas – the most powerful of the current LED wash beam range – that are part of the house lighting rig for this important venue, which has been at the forefront of producing Polish drama since 1949 and ensconced in the Palace of Culture and Science venue since 1955.
All rights reserved. Created by Appio