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		<title>ROBE lighting - Latest News</title>
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		<description>Latest News</description>
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			<title>ROBE lighting - Latest News</title>
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			<link>http://www.robe.cz/</link>
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			<description>Latest News</description>
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		<lastBuildDate>Mon, 20 May 2013 09:26:00 +0200</lastBuildDate>
		
		
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			<title>Robe Shines on 2013 Metro Radio Music Awards in SA</title>
			<link>http://www.robe.cz/news/article/robe-shines-on-2013-metro-radio-music-awards-in-sa/</link>
			<description>Lighting designer François van der Merwe of Wizardry Group chose Robe moving lights to be the...</description>
			<content:encoded><![CDATA[François was working for Dream Sets, commissioned to deliver the technical elements of the event for producers, Blue Moon Corporate Communications. 
Dream Sets’ Robert, Sean Hoey and Eben Peltz were Technical Directors and worked closely with leading SA rental company Gearhouse South Africa, whose Durban facility supplied most of the equipment used on the show.
Seventy Six Robe fixtures were used in total – 24 x Robe ROBIN LEDWash 600s, 24 x LEDBeam 100s, 12 x ColorSpot 2500E ATs and 16 ColorSpot 700E ATs – together with generic and LED lights, all programmed and operated by François using a grandMA2 full size console.
The design was a careful blend of theatrical and televisual elements for the show which was hosted by popular Metro FM DJs Azania Mosaka and Robert Marwa and for the first time broadcast live on national channel SABC1.
The LEDWash 600s were primarily used for powerful back lighting and for in-fill from the sides.
He chose them for their diversity. The back lighting units could be zoomed out to give a nice even spread across the stage area and set, and then zoomed right in for more “beamy” effects. 
His other main reason for picking the LEDWash 600 was “Their rich colours” he explains, adding that he also likes the range of soft pastels, and the fact that the LED rings can be zoned and programmed individually for eye-candy effects when required!
The LEDBeam 100s were rigged on scaff ‘nodes’ around the set. They were used to illuminate the scaff pipes and accentuate the depth of the structure when needed, and at other times were beamed straight out into the audience for dramatic wide angle camera shots. He thinks their super-quick speed is fantastic!
The event was another resounding success for all involved.]]></content:encoded>
			<category>Events</category>
			
			
			<pubDate>Mon, 20 May 2013 09:26:00 +0200</pubDate>
			
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			<title>Robe Specified for ‘Moses – The Ten Commandments’ World Premiere at Theatre St. Gallen</title>
			<link>http://www.robe.cz/news/article/robe-specified-for-moses-the-ten-commandments-world-premiere-at-theatre-st-gallen/</link>
			<description>Moving lights from Robe’s latest ROBIN MMX and DL Series ranges were utilised by Lighting Designer...</description>
			<content:encoded><![CDATA[The creative brief for Grundner’s lighting design was to mimic the style and genre of the show – ‘contemporary rock and pop with gospel elements’ – for which the Theatre decided to purchase the new system of Robe moving lights.
The package comprised eight MMX Spots, two DLS Profile, two DLX Spots and 16 DLF Wash fixtures, all of which were specified by the Theatre’s Head of Lighting, Andreas Enzler and his Deputy Andreas Volk … on the recommendation of Grundner among others, and were delivered via Robe’s Swiss distributor, Audio Tech.
They decided on Robe because they sought a versatile, energy saving moving light rig containing high light output fixtures with excellent optics and fast movement. The rig also had to be cost efficient to run – and Robe’s DL and MMX ranges fitted the bill perfectly with their ‘smaller, lighter, brighter’ design concept.
The DL range is fast becoming a popular choice for theatre productions offering a number of important and relevant features like full tungsten emulation, completely shadow free LED lightsources and silent running.&nbsp;&nbsp; 
Michael Grundner has been using and specifying Robe products in his work for some time, which includes a raft of musicals, corporate event designs and concerts worldwide for José Carreras – for whom he has been the LD since 2011.
The new fixtures are distributed between the Theatre’s advanced, front and rear house lighting bars.
The DLS’s framing shutters are a big plus, with individual control of each shutter blade position and angle, together with rotation of the complete framing module. As well as providing either a sharp or soft frame for the projected image, the system can produce new effects through pre-programmed shutter blade shape and movement sequences. As with the Robe entire DL luminaire range, the associated LED source is ultra smooth and shadow free.
The Award winning DLF is a perfect companion to the DLX, and is based on the same RGBW LED module, with a fabulously smooth output via the front fresnel lens. Mechanical features include a newly designed linear motorized zoom of 5.5° - 60° and a diffusion filter that extends the zoom up to 75°! An internal barn door module can be used for creating different shapes, while advanced software features include RGBW or CMY colour mixing, a set of calibrated whites, CTO, tungsten lamp emulation (amber shift) and more.
The DLX Spot uses a unique new RGBW LED light source resulting in colour outputs brighter than most 1200 Watt discharge units … with an average eco-friendly power consumption of only 250 Watts. A myriad of effects can be produced using a combination of the static and rotating gobo wheels with custom replaceable positions, plus variable frost, three-faceted prism, superfast iris and more... including full range theatrical grade dimming and variable strobe.
The new technology of Robe’s MMX Spot gives it a light output similar to most existing 1200W luminaires plus neat features like hot-spot control. Its key feature -the 'Dual Graphics Wheel' – presents two fully controllable contra-rotating plates that can be positioned anywhere in the light path to produce amazing visual effects.
In the Moses production, the fixtures are used to create a plethora of different effects and looks in a performance replete with colour and drama reproducing numerous locations and environments involved in the biblical epic charting the exodus of the Israelites from Egypt.
Lighting was programmed by Andreas Volk and Vera Ostfalk and is being operated by Vera Ostfalk, Andreas Volk&nbsp; and Andreas Enzler using an ETC Eos console.
A high profile list of production credits also include Video Designer Sven Ortel, Set Designer Francis O’Connor and Costume Designer Joan O’Cleary, and the Director is Martin Duncan.
The show is currently scheduled to run until summer 2014, with the possibility of a further extension.]]></content:encoded>
			<category>Theatre</category>
			
			
			<pubDate>Thu, 16 May 2013 10:09:00 +0200</pubDate>
			
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			<title>Robe Announces New Spanish Distributor</title>
			<link>http://www.robe.cz/news/article/robe-announces-new-spanish-distributor/</link>
			<description>Robe announces Entertainment Equipment Supplies S.L. (EES) as its new exclusive distributor in...</description>
			<content:encoded><![CDATA[The company is a well-known and highly respected importer and distributor of premium professional lighting products&nbsp; and accessories, with offices in Madrid and Astigarraga.
Nacho Acha-Orbea, EES’ CEO says, “We have already had a great reaction from our clients to taking on Robe – even in this short time! The phone has been constantly busy with inquiries which is definitely a good indicator!”
EES already has a demo stock including – from the ROBIN series – the Actor 6, LEDBeam 100s, MMX Spots and WashBeams, 600E Spots, DLX Spots, DLS Profiles, DLF Washes, , ROBIN 300, 600, 800 and 1200 LEDWashes … plus the brand new ROBIN Pointe, CycFX and MiniMe fixtures. 
They also have CitySource 96 and LEDForce 18s from the LED Series.
More dates in a series of nationwide Robe Roadshows have been announced following the success of three initial events in Santiago de Compostela, Madrid and San Sebastián.
Upcoming confirmed Roadshows are in Barcelona (May, 7th and 8th), Alicante (May, 15th), Valencia (May, 17th), Sevilla (May, 28th) and Granada (May, 30th).
More dates are upcoming to cover the Balearic Islands (Mallorca and Ibiza) and the Canary Islands (Las Palmas and Tenerife) after the European summer.
Nacho added: “Robe is a perfect fit for us. We are both dynamic and progressive-thinking companies which are a great compliment to one other and fully focused on offering clients the very best products and services”.
For more information, please check www.ees.es]]></content:encoded>
			<category>Announcements</category>
			
			
			<pubDate>Wed, 15 May 2013 15:16:00 +0200</pubDate>
			
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			<title>Robe Sponsors Student Bursary for Vivid Sydney Festival Project</title>
			<link>http://www.robe.cz/news/article/robe-sponsors-student-bursary-for-vivid-sydney-festival-project/</link>
			<description>Robe is sponsoring a student bursary run by London, UK based Lighting Designer Simon Brockwell of...</description>
			<content:encoded><![CDATA[Simon is presenting his interactive ‘Nocturnal Pianola’ lighting installation and concept.
Robe’s relationship with Simon goes back to when he was a Lighting Design / Programming student at Rose Bruford College in Kent. When ‘Nocturnal Pianola’ was selected as one of the works to be exhibited at the festival, he approached Robe to see if they were interested in getting involved in Vivid. 
Naturally, they jumped at the chance!
“Robe has never been about pushing the product – their emphasis is definitely on relationships,” comments Simon. “As a lighting graduate, I know the importance of students to have opportunities provided by those already working in the industry, and this is something that Robe obviously clearly values”.
Robe SRO’s CEO Josef Valchar and Ashley Lewis, Key Account Manager for Film, Theatre &amp; TV from Robe UK in particular have been instrumental in making the VIVID bursary happen and in taking an interest generally in Simon’s work.
Selecting a student to work with him in Australia for three weeks was a challenging task, and Simon was inundated with applicants form virtually every performing arts college in the UK!
“The standard of applicants was incredibly high,” he explains, which made it even harder! However, after examining all the CVs in detail and interviewing as many candidates as possible in person, he chose Jaz Hewitt, a first year Lighting Design&nbsp; student at the Central School of Speech &amp; Drama in London.
“I wanted someone bright and talented who was not a known LD, didn’t have any specific design credits and who’d not previously worked before with a major lighting company. Basically someone who was open to learning and self-development”.
Jaz is delighted to have the opportunity and thrilled about the actual installation work and the way its interactivity can be developed. “I’m very excited about the placement – it’s something artistic and different that stands out. It will be a very memorable experience”. 
Simon has every confidence that Jaz will be an excellent colleague, “I hope her experience of the event is enjoyable as well as beneficial!” he concludes.
As ‘Nocturnal Pianola’ is a non-profit production undertaken by SBLD for cost, without Robe’s help, taking an assistant LD and offering an aspiring new young designer this fantastic experience would have been out of the question. 
The installation will run from May 24th to June 10th on Sydney Harbour’s Circular Quay.]]></content:encoded>
			<category>Events</category>
			
			
			<pubDate>Tue, 14 May 2013 00:00:00 +0200</pubDate>
			
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			<title>Robe Celebrates Wine at 2013 Festival Nacional de la Vendimia, Argentina</title>
			<link>http://www.robe.cz/news/article/robe-celebrates-wine-at-2013-festival-nacional-de-la-vendimia-argentina/</link>
			<description>Lighting and set designer Eli Sirlin utilized over 120 Robe moving lights in his lighting scheme...</description>
			<content:encoded><![CDATA[The 2013 event, staged at the Frank Romero Day Greek Theatre, celebrated the local traditions with dance, music and wine, plus a special drama performance “Noche de Teatro Mágico de Piedra y Vino” to honour the venue’s 50th anniversary. 
Up to 30,000 people a night flocked to catch the action over the two week Festival. A Vendimia Queen was chosen and various wine tastings took place as well as live performances from an impressive line-up of local and international folk and rock bands. The event was closed by Spanish singer-songwriter and musician Alejandro Sanz who gave a show-stopping performance!
Vilma Rúpolo, General Director of the event and also of “Noche de Teatro Mágico de Piedra y Vino” asked locally based Eli Sirlin to create a unique lighting design for the event. 
The Robes used were 32 x ROBIN MMX Spots, 32 x ROBIN LEDWash 1200s, 16 x ROBIN LEDWash 600s and 48 x LEDForce PARs. 
The lighting equipment was supplied by a combination of two companies - Vidal from Mendoza and Pampin Luces from Buenos Aires.
Sirlin faced several challenges in lighting the stage for the event.
The first thing was the huge space and the distances and angles that the lighting needed to cover. The amphitheater stage was over 100 metres wide and the luminaires had to handle throws of between 20 and 70 metres!
“All the Robes I used were located about 20 metres away from the main performance space,” she comments. “Using the LEDWash 1200s gave me excellent colours to play with, a good aperture for washing the stage and a highly pleasing overall visual effect”. 
She adds that the MMXs have “Good gobo definition” across those same distances.
Another issue affecting the lighting was the extensive upstage sections of the set which were used as video projection screens.
Sirlin and Special Effects Director Alejandro Rodríguez made front lighting a priority to avoid lights bouncing onto the screens at the back of the set and interfering with the projections.
To do this effectively, they chose Robe’s LEDWash 1200 and 600s due to their power, flexible zoom, beam aperture and colour options.
Los Nocheros – one of the bands playing on the final night - brought their own LD and Operator Fernando Segovia, who had the chance of using Eli Sirlin’s set-up.
After using all the Robes for their show, Segovia comments, “The Robe’s - especially the MMX Spots – are very high quality luminaires with a great performance”. He liked the MMX gobos and the zoom. “When you use the focus feature it looks just like an LED projector … I’ve never seen this in other devices!” he exclaims.<div class="pagebreak"></div>He was impressed by the power of the LEDWash 1200s and 600s. “The zoom in the LEDWash 1200 LEDWash makes programming much easier when you want to achieve anything from a big wash effect down to a tight but very intense beam”. He also liked the smoothness of the pan/tilt especially on very slow movements.
The first Vendimia celebrations in Mendoza date back to the 17th century, with the first ‘official’ festival organised in 1936. Recently Mendoza’s Vendimia was ranked Number 2 in National Geographic’s Top 10 World Harvest Festivals.]]></content:encoded>
			<category>Events</category>
			<category>Stage</category>
			
			
			<pubDate>Mon, 13 May 2013 14:53:00 +0200</pubDate>
			
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			<title>Robe Makes A Pointe At Successful Sound:Check Xpo</title>
			<link>http://www.robe.cz/news/article/robe-makes-a-pointe-at-successful-soundcheck-xpo/</link>
			<description>Robe lighting showed a variety of its latest technology - including the brand new Pointe luminaire...</description>
			<content:encoded><![CDATA[The Expo, the premier entertainment technology trade show in Mexico, focused on the latest innovations in the audio, video, lighting and musical instruments industry … and Vari’s stand was the biggest of the fair!
Robe’s luminaires were rigged on a “truss wall” with a white background over-printed with several Robe logos which were dramatically highlighted using effects from the lights. This was a massive attraction to visitors as the structure stood out wherever people were standing in the exhibition. 
Apart from The Pointe, other featured Robe products - all from the ROBIN Series - included MMX Spots, LEDBeam 100s, LEDWash 600 and 1200s and 300E Beams.
Reaction to the Pointe was incredible. 
Engineer Juan Francisco Álvarez Martínez, Vari’s Live Sound and Lighting Sales Director, commented: “All the clients that visited us made the same comment - that the Pointe is a really excellent fixture”.
Guillermo Traverso, Robe’s Regional Sales Manager for Latin America adds, “ After three days of non-stop demos of The Pointe, we are really confident that potential customers understand the abilities of this truly unique luminaire”.
The Pointe is a small, very bright, multi-functional fixture which can be used as a beam, spot, wash or effects unit – with both static and rotating gobo wheels, two prisms, variable zoom when in Beam and Spot modes plus a host of other features.
Says Robe’s CEO Josef Valchar, “Vari’s stand, its size and the quantity of visitors was really impressive and I’m very happy to have such a large distributor, who is very responsible with such well-trained staff. We are looking forward to a great long term working relationship with Vari”.
Harry von den Stemmen, Robe’s Sales Director, adds, “The show starting on Sunday this year brought a better distribution of visitors and we noticed generally that working with Vari, we are developing some very stable and fertile relationships. Over the last two years, the company has started to establish our brand in the local market. With constant demonstrations and well-defined targeting of clients, we are getting some great results”.
<b>La Diosa de la Cumbia</b>
On the final day, Robe and Vari presented Colombian artist Margarita la Diosa de la Cumbia - the Goddess of Cumbia - who gave autographs and had pictures taken with visitors packing the stand.
Margarita is currently on tour with a lighting rig that includes Robe MMX Spots and ROBIN LEDWash 1200s, designed by LD José Alfredo Rojas.
Her manager Alejandro Benitez states, “The lights are working perfectly and in fact we now have mostly Robes in our set-up. Our show has always been very colourful and these moving lights help achieve the effects we want. We’re very happy with their reliability and performance”.<div class="pagebreak"></div>]]></content:encoded>
			<category>Exhibitions</category>
			
			
			<pubDate>Fri, 10 May 2013 14:14:00 +0200</pubDate>
			
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			<title>It’s A Beautiful Thing for Robe</title>
			<link>http://www.robe.cz/news/article/its-a-beautiful-thing-for-robe-1/</link>
			<description>A substantial Robe moving light rig was used for the final of the 2013 Miss Universe Slovak...</description>
			<content:encoded><![CDATA[Lighting was designed by Martin Kubanka, Slovakia’s top television LD, and included over 100 Robe fixtures including LEDWash 600s and 1200s, ROBIN MMX Spots, ROBIN 300 and 600 Beams and LEDBeam 100s.
Kubanka worked closely with set designer Daniel Sichman on creating the show aesthetics which also featured a plethora of LED screens and lightsources in addition to all the Robes. The majority of the lighting and video together with the L-Acoustics Kara sound system, plus over 50 points of rigging was supplied by leading Slovakian technical solutions provider, Q-99.
The slickly choreographed presentation was directed by Thomas Eibner, and was certainly a cut above the average beauty pageant in terms of production values.
“We have a reputation here in Slovakia of producing one of the best Miss Universe live shows and telecasts, and each year we ‘up the ante’ getting more ambitious in our use of technology,” explains Kubanka with pride.
He has been using Robe products in his work for over 10 years and now – and even more than ever with the latest ROBIN ranges - it is his moving light brand of choice.
Q-99 was an early adopter of Robe technology and has been a loyal customer through the last decade. In the last two years the company has invested extensively in the latest products, including the ROBIN Beams, the LEDWash series, MMX Spots and LEDBeam 100s.
Kubanka’s biggest challenge of the Miss Universe show is to keep the lighting looking interesting and different throughout – offering new and inventive pictures, and also to light the 12 contestants perfectly for the camera – for which they must have fabulous skin tones. For this task he used 10 carefully positioned LEDWash 1200s as 3200K soft lights in the central area of the stage.
He also worked closely with Eibner and DoP Vladimir Ďurčanskŷ in ensuring that the cameras could get a diversity shots, and that there were no ‘black holes’ in any of them.
Additionally, there were also a number of entertainment sections to the event, which needed a different approach to lighting. There were a couple of ‘full production’ dance numbers and a solo performance by singer Peter Cmorik – a former Slovakian Superstar winner.
The ROBIN 600 Beams, LEDWash 600s and 1200s, MMX Spots and 300 Beams were positioned on a series of over-stage trusses, including six striking S-shaped mini-beam trusses over the mid and forestage area.<br />The 10 MMXs were in the back and on the upstage sections of the S-trusses, used for beam effects, as ‘sharp lights’ as well as for for texturing the floor.
He chose lots of beam lights for the rig because that type of look is very trendy in TV circles right now. “The ROBIN Beams – both the 300s and the 600s are really bright and punchy!” he explains, adding that they needed to be to hold their own against the 120 square metres of LED screen onstage, which they did admirably, together with the MMX Spots, the LEDWashes and even the tiny LEDBeam 100s!
On an advanced truss in the auditorium, he had six ColorSpot 1200E ATs that were used for lighting the VIP section at the front – all sitting around tables.<div class="pagebreak"></div>For Peter Cmorik’s bracing rendition of Robbie Williams’ blockbuster “Angel”, the side LED screens split apart to reveal vertical trussing loaded in with 24 additional LEDBeam 100s and some active Sunstrips – for extra WOW factor and to surprise the audience!
Kubanka programmed and controlled all the lighting – which included other moving lights, generics, strobes and the several other LED lightsources - from a grandMA2 full size console. Another grandMA2 full size ran all the playback video – stored on MA VPU media servers - operated by Michael Brna, and the pyro was fired from a grandMA series 1 light by Robert Plunar which included a Power Jet CO2 system.
Q-99’s Project Manager was Patrick Kvacka. He comments, “We are really pleased with how the show looked this year. Everyone involved is very keen to keep pushing ‘the technical envelop’ in the quest to get great results. Having Robes as the main moving lights is great for enabling Martin’s creativity to flourish and the crew love them because they are so reliable!”
Miss Universe Slovak Republic 2013 was won by 20 year old Jeanette Borhyová from Danube Ivanka, who will represent her country in the final, the 62nd Miss Universe Pageant.]]></content:encoded>
			<category>Events</category>
			<category>Stage</category>
			<category>Television</category>
			
			
			<pubDate>Thu, 09 May 2013 09:09:00 +0200</pubDate>
			
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			<title>Robe Gets into the Groove with Skrillex in Durban</title>
			<link>http://www.robe.cz/news/article/robe-gets-into-the-groove-with-skrillex-in-durban/</link>
			<description>Innovative Grammy award winning electronic dance musician Skrillex recently played three high...</description>
			<content:encoded><![CDATA[Insane’s Vimal Rawjee asked freelance lighting and video specialist Thomas Peeters to join the team and help co-ordinate the event, which was staged at the Wavehouse in Durban and exceedingly well received. 
Thomas matched the specification of Skrillex’s Lighting Designer Andrew Nissley with Insane’s rental stock and assisted in implementing the production on a scale to suit the venue and the budget, which included 31 Robe moving lights - 21 LEDWash 600s and 10 MMX Spots fitted with air kits.
On site, Thomas worked closely with freelancer Herman Wessels who managed the rigging and oversaw the crew while Thomas took care of all the power and data distribution. They both programmed the grandMA consoles (control equipment for the show was supplied by MGG Productions) and took turns in operating through the opening acts, which also included several other performances including Digital Kaos, Funky G and Alvin Risk.
The lighting rig – which included other moving lights, generics and strobes – was flown on three over-stage trusses, supported by a six-legged ground support system and an advance truss flown off the front of the stage.<br />The LEDWash 600s were used to wash the stage, colour the haze and cut through the large LED screen upstage of the DJ booth.
A single LEDWash 600 placed on the floor behind the DJ position was highly effective for silhouetting the acts as they spun their magic on the decks.<br />Four of the MMXs were rigged on the front truss with the other six on the floor.
Although Robe was not specified on the LD’s rider, he accepted the substitution without any questions “Clearly Insane has chosen a good investment in Robe,” observes Thomas, adding that Andrew was in fact absolutely blown away by the MMX Spots in particular - he liked their small size, speed, brightness and both the standard and the in-air gobo sets.
Thomas himself comments, “The 600s give clearly defined beams even though they are wash lights and fantastic saturated colours between which they can transition really smoothly and slickly”, so for the opening acts, even though they were only using the back truss luminaries for the opening acts and these were limited in numbers … it looked like there were loads more up there!
The MMX Spots on the front truss enabled the creation of “Clear and imposing looks over the crowd” an essential element of lighting for any EDM event … and the ones on the floor provided an awesome layer of contra-angled beams.
Says Thomas, “Electronic dance music requires fast changes, strobing, snapping between saturated colours, big gobo scrolls and a selection of really solid beams – all of which the fixtures on the rig were able to deliver effortlessly”.]]></content:encoded>
			<category>Stage</category>
			<category>Venue</category>
			
			
			<pubDate>Tue, 07 May 2013 09:36:00 +0200</pubDate>
			
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			<title>Cirkus Cirkör at Peace with Robe</title>
			<link>http://www.robe.cz/news/article/cirkus-cirkoer-at-peace-with-robe/</link>
			<description>Scandinavia’s leading contemporary circus company Cirkus Cirkör from Stockholm, Sweden have...</description>
			<content:encoded><![CDATA[Renowned for their original, intimate, exciting and thought-provoking work, Cirkus Cirkör was Sweden’s first circus groups of the genre. Under the artistic direction of Tilde Björfors, it mixes elements from street theatre, rock videos, theatre, dance and film into its shows. The company tours extensively worldwide and is based in Alby, south of Stockholm.
Lighting is an absolutely integral element of Cirkus Cirkör’s work. It’s used to emphasise the drama, the seat-edge acrobatics and sheer physical power, emotion and aesthetics of the performance.
Lighting for “Knitting Peace” is designed by Ulf Englund, and the new Robe’s – five MMX Spots and 16 LEDWash 600s – were specified for this show by him and Cirkus Cirkör’s Technical Producer, Stefan Karlström.
“They are well specified lights and fitted our budget,” says Karlström, explaining that before they made the purchase, both he and Englund had heard many good reports about Robe especially about the reliability of the brand, which helped cement their decision.
Apart from that, using 21 Robes is a much faster, dynamic and far more practical solution then using hundreds of conventionals!
The Robes are currently the only lights on the show. They are rigged onto the custom trussing structure which is also used by the performers and for various props, with some units placed in the floor.
This enables Cirkus Cirkör to be completely self-sufficient. Their crew can rock up at any venue or performance space and have their show area and technicals exactly the same each time – all they need is power!
Even that request is expedient using the MMXs and the LEDWashes which are extremely power efficient – designed to Robe’s ‘smaller-lighter-brighter’ concept.
Owning their own lighting will also save Cirkus Cirkör a substantial amount of money – in the past they have hired in kit for their tours – which can last between two and three years!
Lighting for “Knitting Peace” is being co-ordinated on the road by Fredrik Ekström who is operating the lightshow using a Hog PC console. He also has previous experience of using Robe fixtures and is really happy to have them on the tour.
“Knitting Peace” received its world premiere at the La Seyne sur Mer Festival in France and is now working its way around Scandinavia at the start of its world touring schedule … asking if it is possible to actually knit peace? 
<i>Can a worldwide knitting for peace movement make a difference?</i>]]></content:encoded>
			<category>Theatre</category>
			
			
			<pubDate>Mon, 06 May 2013 00:00:00 +0200</pubDate>
			
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			<title>South African State Theatre Invests in More Robe LED Fixtures</title>
			<link>http://www.robe.cz/news/article/south-african-state-theatre-invests-in-more-robe-led-fixtures/</link>
			<description>The South African State Theatre in Pretoria has added more Robe LED fixtures to its lighting...</description>
			<content:encoded><![CDATA[The latest purchase includes 12 x MMX Spots, four DLX Spots and four ROBIN 300 LEDWashes and follows quickly on the heels of 40 x Robe LEDForce 18 PARs and eight new ColorSpot 250E ATs.
The Theatre also now has a total of 36 x LEDWash 600s, the first batch of which were purchased in 2011 from Robe’s SA distributor DWR, after being specified by King who was keen to embrace the many advantages of LED stage lighting.
The State Theatre – housed in its distinctive and imposing building in the heart of the city – has five main performance spaces, the largest two being the 1300 capacity Opera Stage and the 650 capacity Drama Stage – and a fantastic reputation for excellence in multiple genres. It also likes to keep moving with the times. 
Dr. Quinton W Simpson was appointed as the organisation’s new CEO in 2012 and was very conducive to Simon King’s proposals to move more and more towards LED lighting as the fixtures became brighter, more efficient and ever more cost effective!
The theatre is 75% a receiving house and 25% producing, staging around 30 major productions per year, several with long runs, plus a variety of other shows and performances ranging from Gospel Choirs, rock concerts, raves, dramas, dance works, opera – and virtually every other type of performance including the spoken word.
Flexibility is therefore a key to any new lighting investments!
“LED makes sense in terms of reducing power consumption and on-going maintenance costs,” states King, adding that it’s a bit of a ‘no brainer’ really considering the pace and direction of LED development.
It also helps with the justification of future cap-ex allowances if they can demonstrate a discernible overall cost saving – so it’s ‘win-win’ all round!<br />Apart from all these positives, especially with drama shows, having low noise equipment is essential – and once again, LEDs win out.
Another “Major reason” they chose Robe states King … is the superlative service from DWR, “Any product is worthless without good service and support,” he says with conviction. Not that they have needed much to be fixed with the Robes of course … as the fixtures have proven very reliable.<br />The new Robes are distributed around the Theatre’s different spaces – the majority on the two main stages. 
The four DLXs and two of the ROBIN 300 LEDWashes are in the Arena Theatre together with six LEDForce 18s, while the eight ColorSpot 250E ATs are in the Rendezvous Theatre, and two more LEDWash 300s are in the Cabaret venue.
The MMX Spot is currently King’s favourite moving light. “The punch and the zoom are lovely,” he effuses, “Together with the colour mixing, the gobos and of course the dual graphics wheel”, concluding that it’s an ‘Ultimately flexible” unit ideally suited to their needs.
The State Theatre’s LX crew love all of the new Robes because they are light in weight and easy to handle.
King lights around 50% of the shows staged in the State Theatre’s venues as well as having his own international lighting design clients.
Recently he lit a production of ‘The Merry Widow’ in Montevideo, Uruguay, at the Archivo Nacional De La Imagen-Sodre and was delighted to be using Robe LEDWash 600s in his rig, which were specially hired in for the occasion.]]></content:encoded>
			<category>Theatre</category>
			
			
			<pubDate>Fri, 03 May 2013 12:10:00 +0200</pubDate>
			
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